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Fantastic to be invited by Jimmy Vainstein to be part of The World Bank day dedicated to reimagining a positive future beyond plastic waste.
Thanks again for inviting Drop in the Ocean to the festivities!
See their post on LinkedIn
“Critical Distance” immerses visitors in a holographic orca pod and allows them to witness the challenges faced by this endangered species. This social augmented reality (AR) experience highlights a pod of 24 endangered Southern Resident orcas living in the Pacific Ocean’s Salish Sea. See firsthand how the orcas, including six-year-old Kiki, must overcome obstacles created by humans to effectively hunt for food — and, ultimately, survive.
Vision3's Augmented Reality Experience, 'Critical Distance' will be at The Canadian Museum of Nature from June 2nd to June 9th.
More to follow!
To visit the site and buy tickets click here.
TheBlueParadox illuminates the devastating impact of plastic waste on our ocean and its ecosystems, emphasizing the urgent need for action.
By showcasing the power of collective action, this exhibit will serve as a catalyst for change by empowering all of us with knowledge and practical strategies to reduce plastic waste to help foster a more sustainable future.
Together, we can turn the tide on plastic pollution! Learn more!
Filmed earlier this year in the stunning Snowdonia National Park - this piece for BMW Group and Media.Monks shows the importance of protecting the little things to create a big impact in nature
Brilliant work from Chris Parks, Robert Hollingworth, Dan Bernstein, Jessica Glaus, Tim Cockerill, and an amazing crew!
See the film here!
After four years of being featured globally in venues that include the Smithsonian American Museum of Natural History in Washington and and at COP27, these two experiences are finally coming to the UK as part of Vision3's Invisible Ocean installation at Wales Millennium Centre in Cardiff. See you under the ocean!
The now Oscar winning production designer Shona Heath, approached Chris in 2021 for visuals for Poor Things. Chris drew on his vast archive to provide the production with several hours of footage which was used extensively through the film for the fantastical skies and for the chapter markers.
Chris and team spent almost a year building new optics and control systems to enable them to shoot some of the extreme closeup sequences for Darren Aronofsky's Postcard from Earth - the launch film for the Las Vegas Sphere.
Chris shot both is signature fluid effects and extreme closeup material of paramecium, volvox and other single celled organisms.
Data collection for Thera-VR, our innovative mental health solution, wraps up today!
Stay tuned for scientific evidence that will redefine mental healthcare
Many thanks to Innovate UK, wonderful participants and our amazing team!
AMAZING Day 1 at AWE expo.
Starting off with Ashlan Cousteau talking with Unity‘s John Riccitiello on how vr projects like Drop In The Ocean can drive audiences to social change.
The day continued, sharing Dropintheocean with new audiences here in the Playground, meeting some incredible people, and hearing some really inspiring responses.
VISION3 TALKS
Across the globe, there are numbers telling us difficult truths. At Vulcan, we take these "data points" and use them to motivate our work in ocean health, climate science, conservation and communities.
Chris joins David Heyman and David Yates to in this featurette to talk about the 3D in the film and how it was put to use to further the storytelling and the experience.
The stereo supervisor, Chris Parks, explains how he approached the 3D for Jupiter Ascending in this featurette that was shown in theatres ahead of the films release.
Chris joins discusses how he used the 3D to support Ron Howard's vision on In the Heart of the Sea.
Jim Chabin of the Advanced Imaging Society talks with Adam May, Head of Production at Vision3, about his work on upcoming Ron Howard film, The Heart of The Sea as well as his work on Pan, Gravity, Edge of Tomorrow and more.
Chris joins director Joe Wright and some of the cast to talk about the 3D on Pan
Chris Parks joins Guy Ritchie to talk about the 3D on King Arthur: Legend of the Sword and how it was used to convey character and add to the spectacle.
Adrian Wootton, Creative Skillset's Dan Simmons, and Vision3's Adam May discuss the UK's role at the centre of 3D film production of Hollywood Blockbusters and what this means for British Indies.
Stereo Supervisor and winner of the I3DS Award for Best Stereography Chris Parks, delivers the one of the Summit's big highlights as he shares his exclusive processes and thoughtS on using 3D in Gravity to such an breath taking effect.
FILMCLUB reporter Tanvi speaks to Vision 3's Adam May - the chap who provided Horrid Henry, John Carter and the upcoming Jack The Giant Killer with their breathtaking 3D effects. Most prestigiously of all - he was the judge of our Olympics filmmaking competition!
Taking an honest and open look at recent 3D successes and disappointments, the UK's leading Stereo Supervisor Chris Parks discusses the steps we need to take to make 3D a rewarding and lasting evolution of entertainment.
Chris talks at Ravensbourne's 3D Storytelling symposium about the potential of 3D to tell stories and how the medium can evolve over the next few years.